This week I took another major step forward in creating and revising my artist statement, with the help of other artists at Part 2 of the Artistic Cartel Meetup sponsored by the Artful Phoenix in North Attleboro, Mass.
Recently, it became even more clear how important a good artist statement is. I applied to get into a juried show and was rejected. When I got the general generic email about why my artwork didn’t make it, I emailed back asking for specifics. The exhibit’s coordinator told me that in addition to looking at the quality of the work and how well all the entries come together as a cohesive exhibit, jurors rely on the artist statement to truly comprehend what an artist is doing. The statement can make or break you when it comes to getting into a show, the person said.
Wow. Scary, huh?
I don’t know whether I’m done with my statement, but at least I feel that it is in better shape than the one I had before and better than the one I sent with my entry form for the show that rejected my work.
My struggle has been trying to nail down what I’m doing as an artist. If I had my choice I would just say something like–“I do what I want, when I want, depending on how I feel that day—kind of like a chef walking into a market, seeing what looks good that day and then deciding what she will cook.” But I don’t think that would do. So, here is what I have now as a statement. I would love your thoughts and feedback. What do you think?
I am driven by an unrelenting curiosity and a desire to play with a variety of mark-making materials and concepts revolving around the spirit of women. These givers of life are beautiful, powerful and mysterious beings, who deserve to be honored and explored in every medium possible.
As I create art, I leave open my journey, allowing myself to receive what comes to head, heart and hand. My aim is to immerse myself in the process of creating, to explore the colors, subjects and materials that most excite me in the moment. Opening myself often leads me to create acrylic-based mixed media collage pieces that showcase women.
The openness of being present also leads me to create artwork that reflects my fascination with the rejuvenative nature of circles as well as the unspoken language of patterns—from the Kente cloth of my unknown African ancestors to the patchwork quilts created by my Alabama grandmother.
Most of my pieces are imbued with a texture that invites viewers to come closer to see the work and possibly touch it, thus creating a connection between viewers and me.
(Above is a drawing from my sketchbook, Sharpie marker on paper, “Three Divided.” Click on the image to see it large.)